"Beautiful Life : Memory and Nostalgia" April 2012
- at "The Pier-2 Art Centre", C1 Gallery, No.1, Dayong Rd., Yancheng Dist., Kaohsiung City 803, Taiwan
- a touring show curated by Dr Ming Turner
showing "Domestic Displacements" HDR photographsdavidalesworth's posterous |
sculpture and photography |
- at "The Pier-2 Art Centre", C1 Gallery, No.1, Dayong Rd., Yancheng Dist., Kaohsiung City 803, Taiwan
- a touring show curated by Dr Ming Turner
showing "Domestic Displacements" HDR photographsFelled like trees in their entirety some having stood for almost 150 years exquisite brick detailing, gone forever. Goithic revival flourishes a minor earthquake when this one came down
- through till end of February 2011 at Rohtas-2 Gallery, Model Town, Lahore, Pakistan.
The red Kashan before work began, its around 100 years old.
Cut down to the central medallion, repaired and embroidered with a map fragment of Hyde Park, 1862.
Looking accross the gallery, "Enquiry and Endeavour" on the table (Singer 7-33, Microscope, antique prepared slides)
"The Garden of Babel" 54" x 45" print to wall, Ed 2/6
Looking in to the gallery.
"Garden Palimpsest" foreground, a 130 year old Kerman overworked with Jean Delagrife's plan of Versailles estate from 1746.
The two garden rugs, European garden history overalying charbargh paradise gardens below.
"Enquiry and Endeavour" (Singer 7-33, Microscope and antique prepared slides)
Details from "Garden Palimpsest"
"The Tool Store" C-print Ed. 1/3
The Singer 7-33 now in running condition.
"Hyde Park 1862" works in progress.
The reverse of the rug.
Hyde Park
Hyde Park, London, circa 1850's
- from a found map fragment.
New rug works, details
Dyed wool yarns
embroidery in progress.
A Water feature, one of a pair in progress for a new garden,
based on the Sharifa fruit or Custard Apple, Annona squamosa.
Thick welded copper sheet throughout.
42" wide.
. MILLER-UREY BONG, 2010THURSDAY 7TH OCT - SATURDAY 13TH NOV 2010PRIVATE VIEW - Thursday 7th OctDimension/Next*
Miller-Urey Bong, 2010
* a collaboration between Paul B. Davis and AIDS-3D
In 1952 Stanley L. Miller, working in the laboratory of Harold C. Urey at the University of Chicago, attempted to clarify the chemical reactions that gave rise to organic compounds on primitive Earth. The experiment ran as a closed loop connecting two flasks. One flask contained water that represented Earth's ocean, a second flask contained a mixture of methane (CH4), ammonia (NH3), and hydrogen (H2) that represented a hypothetical 'reductive' atmosphere. Miller heated the water to simulate evaporation and rainfall, and used electrodes to simulate lightning, guessing that lightning was a likely energy source for ancient chemical reactions. After running the experiment for one week Miller found that as much as 15% of the carbon in the system now existed in the form of organic compounds. While the Miller-Urey Experiment did not conclusively prove the chemical makeup of primordial Earth, it became a classic experiment on the origin of life.
'We really don't know what the Earth was like three or four billion years ago. So there are all sorts of theories and speculations. The uncertainty concerns what the atmosphere was like. This is the major area of dispute.' - Stanley L. Miller
Miller-Urey Bong allows experimentation with genesis models of the early Earth atmosphere by re-creating the Miller-Urey experiment with the additional functionality of adding any combustive material to the atmospheric simulation. The material is heated using a high-powered laser and the vaporized remnants are drawn into the experimental apparatus through the combined use of a specially designed stem system, carburetion port, and user provided suction. Employing the same suction, users can also orally sample the experiment's contents at any time for further analysis.
Dimension/Next specifically proposes that the addition of C21H30O2 to the existing Miller-Urey hypothesis of CH4 + NH3 + H2 + H20 has a high chance of producing exceptional results. However, in the interest of scientific objectivity, Miller-Urey Bong is BYOW (Bring Your Own Whatever).
Due to the inherent dangers of Class 4 laser technology, stringent controlled conditions and safety procedures govern the interaction of Miller-Urey Bong. The work will be fully interactive only at specific periods during the installation, however performance documentation will be on view at all times.
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Miller-Urey Bong, 2010 is the tenth exhibition in an ongoing programme curated for Seventeen's basement space by Paul Pieroni. The exhibition will run concurrently with Susan Collis' solo exhibition in the main space. AIDS-3D will present a solo exhibit at Frieze with Gentili Apri this October.
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Truck Art lives!
This is nothing you should see whats driving on the roads of Pakistan.
This is it, Nikon D3, Raw conversions and downsized for web.
The chamber where all 425 pages (this includes introduction, forward and contents, otherwise there are 397 pages of the book itself).
The Bear is actually bolted onto the table top, to keep it still.
The covers are like an empty skin, a cocoon that this book has hatched and flown from.
Mahmood stuffed it so tightly, I now cant get the pages out of its arms and legs.
Pakistan customs please be kind, and sensible.